If there's one thing that we're reminded of a few times a year here at the Weekend Box Office Report, it's that films targeted at black audiences are always ignored by many mainstream movie websites ... until they open huge at the box office. 'The Best Man Holiday' is the latest film to prove that there's an entire group of moviegoers who aren't being given the films they obviously want to see, and hopefully its success will spur Hollywood into action, allowing for the production of more movies with black casts and filmmakers. Maybe. This is Hollywood, after all.
After months of boycott talk and constant controversy, the long in the works adaptation of Orson Scott Card's 'Ender's Game' opened at number one at the box office with decent but not spectacular numbers. It's a long road to profitability, but hey, this is a start.
For the third weekend in a row, 'Gravity' dominated the box office, taking no prisoners in its quest to become one of 2013's most deserving blockbusters. However, its tremendous success has been at the expense of a handful of other films, which have been crushed in Alfonso Cuaron's titanic wake.
Despite a few new releases, this weekend was all about last week's champion. 'Gravity' held on to the number one spot with all of its might, showing that Alfonso Cuaron's space thriller may have some of the strongest legs of any major 2013 release.
James Wan has done it again. For the second time this year, a horror film that he's directed has opened to over $40 million, securing his position as the reigning king of mainstream horror cinema. He may be taking a break from the genre to direct 'Fast and Furious 7,' but after the jaw-dropping success of 'The Conjuring' and now 'Insidious Chapter 2,' you just know he'll be back. No one is bringing the audiences in quite like Wan.
Oh, and there were some other movies that made some money, too.
One of the things 'Riddick' has going for it is that it didn't cost too much. So while its opening weekend may be a little less than impressive, it doesn't have that far to go to make a profit. It's little victories like this that make this, one of the slowest most stagnant movie weekends of the year, more palatable.
The summer is over and September is upon us. The result? One of the most boring weekend box office reports in months. Months! The month or so following the end of the summer movie season is traditionally one of the worst of the year, the time when Hollywood unleashes all of the films that they have little faith in, a buffer between the blockbuster months and the award season months. In other words, it's the exact kind of climate where a movie like 'One Direction: This is Us' can thrive.
Despite a bunch of new releases with all kinds of wide and varied appeal, this weekend's box office top 10 looks suspiciously like last week's. Apparently, none of the newcomers could match Lee Daniels' 'The Butler,' which effortlessly claimed the top spot once more.
There's something thematically appropriate about a movie telling the story of a butler who quietly influenced the United States taking the number one spot at the box office over its flashy, bigger rivals. Lee Daniels' 'The Butler' took multiplexes by storm this weekend, taking down last week's competition as well as a handful of seemingly strong newcomers.
In a weekend with four new major releases but no definitive frontrunners, the Matt Damon sci-fi action flick 'Elysium' snagged the top spot over some seemingly powerful competition. Director Neill Blomkamp's film continues this summer's trend of R-rated fare opening big ('The Purge,' 'The Conjuring,' '2 Guns') and proves that there's plenty of box office success to be had in the typically slow final weeks of the season.
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